Keffy

everything i do is so fucking amazing that sparks are going to shoot out of your eyes

Month: February 2013

My Norwescon 36 (2013) Schedule

I’ll be at Norwescon next month, sitting on a lot of panels and pretending that I have good advice and hopefully not boring anyone to tears. I don’t think this is a completely final schedule, so it’s possible some things might change (time, location, other panelists, etc.) But this should give you an idea of what I’ll be up to.

Thursday!

4 pm Surviving the Slush Pile
If the editor doesn’t read past the first page, it doesn’t matter how good the rest is. How to quickly capture and hold a slush reader’s attention.
Cat Rambo, Gardner Dozois, Jenna M. Pitman, Keffy R.M. Kehrli
[Cat pictures in your cover letter. Works every time.]

Friday!

2 pm Crossing Boundaries: Writing the Other
Can you write a great character of another gender? From a different culture? A different sexual orientation? How do you know what’s good characterization and what’s stereotyping?
Caren Gussoff, Dennis R. Upkins, J.M. Sidorova, Keffy R.M. Kehrli, Sheye Anne Blaze

7 pm SF & Fantasy Themes in Metal Music
Do you fondly remember the first time you heard Black Sabbath’s “Iron Man” or Blue Oyster Cult’s “Godzilla”? Do you love GWAR just because they claim to be from outer space? Have you mocked black metal bands for their misuse of Orcish? If so, join us for a discussion of the use of science fiction and fantasy themes within the metal genre. Whether your interest in metal is recent or long-lived, occasional or die-hard, there’s something for every lover of the fantastic and loud!
Lilith von Fraumench, David J. Peterson, John (J.A.) Pitts, Keffy R.M. Kehrli
[\m/ \m/]

10 pm Future Management
Science fiction has its ideological roots in technocracy and the belief that you could manage a better society. But lately, SF seems to have lost much of this feeling, giving us darker and darker futures. Is hope still a feasible story-line, or is it a non-starter in SF? Are we doomed to dystopian futures in SF, or is it just a phase? And if it is, how can we get back on our traditional track (and do we even want to?)
Stina Leicht, Gregory A. Wilson, Keffy R.M. Kehrli
[Are current SF futures actually darker than those of the past? Much of what was proposed in “Golden Age” SF sounds like a dystopia to me, so iunno.]

Saturday!

Noon My reading!
Me!

4 pm Short Stories — At the Cutting Edge of Science Fiction
Novels may get more attention, but short fiction has many advantages, and much of the best fiction, both inside and outside of the genre has been short. Join us as we look at some of the best short fiction of recent years and how the Internet has revitalized the market for short fiction.
Leslie Howle, Gardner Dozois, Jude-Marie Green, Keffy R.M. Kehrli
[I hope this doesn’t turn into a panel where the audience just shouts short story titles for 20 minutes straight because snrrrrrrr.]

Sunday!

Noon Being a Good Ally
You may be a straight, white, able-bodied person who means well, but somehow you just seem to keep putting your foot in it while trying to be supportive. What does it mean to be a good ally to groups you don’t actually belong to? What can you do to help without silencing others or co-opting their message?
Sheye Anne Blaze, Gwen Yeh, Jennifer McCreight, Keffy R.M. Kehrli, Ro Yoon

2 pm Queer Voices in SF/F
Science fiction and fantasy authors often use the fringes of mainstream culture as plot material. How do authors portray gender and sexuality in their works, and how realistic are the works of those who write outside their own identities? Are the tales of early authors who played with gender still relevant? And have these worlds of SF&F changed the attitudes of fandom and made those in the QUILTBAG community feel welcome?
Amber Clark, Gregory Gadow, Gwen Yeh, Keffy R.M. Kehrli
[I would just like to go on the record here as saying that I hate the word “quiltbag.” Not that others can’t/shouldn’t use it, but I don’t.]

 

I also switched my blog theme because I was tired of the old one (didn’t like the contrast levels on the posts) but didn’t have time to pretend I know CSS and screw around with it today. I’ll probably start hating this theme tomorrow, or something.

I’ll be presenting at Cascade Writers Workshop this year! :)

The hunt for applicants to Clarion UCSD and Clarion West is ramping up. Both instructor line-ups are really great this year (across both workshops, three of my instructors are back at it — Nalo, Kelly, and Neil were great teachers). If you’re thinking about applying to either of the Clarions, I’ve blogged about it consistently. Some relevant posts (maybe) are here and here.

Also, if you have more questions and for some reason I’m the one you want to go to for them, you can drop me a line in email. Some people also choose to ask me things through Facebook, but that requires you to be lucky that a) Facebook will actually forward the note to my email, since I don’t log in if I can possibly avoid it, and b) that I then remember to log in and respond to you. (I just find the user interface completely unusable.)

 

BUT! Clarion costs thousands of dollars and takes six whole weeks out of your summer. If you don’t have that much time or money, I’d like to recommend another workshop, especially if you happen to be on the west coast, so getting to Portland, OR for a weekend won’t break the bank. (Alternately, since the workshop is only a weekend, you could take a vacation and visit the rugged pacific northwest… or whatever.)

Cascade Writers Workshop is a Thursday-Sunday workshop with classes/talks by various people (including ME!) and Milford-style critiques. That’s the same critique style used at most major workshops, including the Clarions.

The workshop leaders are pretty cool:

Claire Eddy, Tor Editor
Nisi Shawl, Author
Delilah Marvelle, Author
Cameron McClure, Agent
J.A. Pitts, Author
Patrick Swenson, Editor/Author

It’s also reasonably priced, and there are two tiers. So, if you want to do the whole thing, it’s $245. If you just want to go to the talks and don’t want to get critiqued, it’s less.

AND! There are now scholarships available that will fund your registration fee. So that’s pretty awesome.

I’d recommend registering ASAP. Registration is open until June 15, but the deadline to apply for the scholarships is May 15th. Also, I believe that unlike Clarion it is entirely first-come-first-serve, so if it fills up, you’ll be doing the sad waiting list dance.

Anyway! I hope to see some of you this June.

Lackluster update of some variety

So, what’s been going on for the past few months? (Besides Twitter. Twitter is always going on.)

WRITING

Despite classes, general disgruntlement with my abilities, and every procrastination technique known to the modern writer, I finished what I tentatively called “a draft” of my novel. It was the first time I’ve slapped THE FUCKING END on a novel and gave it to other people to read, so I guess it was an achievement of some kind. And just like XBox achievements, it doesn’t really count for much of anything. Oh well!

I had my critique group (Horrific Miscue in Seattle) go over it, and got additional feedback on the beginning. This was illuminating in a “fuck, that thing I thought was a problem but just kind of hoped nobody would notice because I wasn’t sure how to fix it is actually a problem and everybody noticed” sort of way. Due to being busy, etc, I haven’t started pulling teeth redrafting yet, but that’ll happen soon.

Also, there is general disagreement about what genre it is.

I’ve been working on short stories AND keeping track of how much I’m writing, which is why I can sadly sigh and say that writing 5,000 words in about a week feels less useful when you’ve been bouncing between three stories. But, well. Progress. I only mostly hate what I’ve been doing.

That said, I SOLD a short story last month, which was great because I was starting to get that mopey “oh man, I will never write or publish again! I’m just going to be one of those people who goes to cons for years on end and sits on panels but never publishes anything until finally the audience starts wondering why the fuck I’m there!”

Story: “This is a Ghost Story” to Apex. I’m not sure when it’s going to come out, but I’m assuming April or later this year. Probably later than April, since I suspect March/April line-ups already know who they are. BUT I AM JUST WILDLY SPECULATING. I’m excited to have this one out, and also nervous because I have no idea how people are going to react.

EDITING!

I’m still editing for Shimmer. This consists of being the most horribly picky slush reader (which is less a point of pride and more “sorry, I’m just really, REALLY picky”). Now that there are enough numbers for it to matter, about 3% of what comes through my first reads pile goes to the second reads forum. I also do actual editing… though by the time we decide a story all the major edits are taken care of, so it’s mostly copy-editing with the occasional, “WTF are you intending to do with this paragraph, can you clarify this description?”

I always get anxious about it, like the author’s going to get my edits and go, “Wow, these are stupid. STET 4EVA, MOFO!”

We recently put out Issue 16!

ME!
I also moved on the last weekend of 2012, which basically sucked on pretty much every level. We were able to find one person to help, and we moved two apartments in one day. I’m not really sure where my boundless energy for leaping into and out of UHaul trucks came from, but it was probably my impressive fat reserves. Pete (who helped) is basically a saint at this point, in some religion that I just made up where they have saints and I can just declare that someone is one.

I’m still doing science for the time being as a day job, and am slowly reaching the point where I feel vaguely competent with regards to some biological science topics. TA-freaking-DA. I probably should have been a bio major in undergrad instead of physics/linguistics. That said, people do get all O___O at a physics degree, which is nice. Ish. Right now, I’m taking Advanced Human Genetics or something, also known as, “No, seriously, how are we even alive?”

I’m sure there’s other stuff that’s been going on that I’ve missed.

OH. On the subject of the Duotrope thing, there was not enough money for a crowdfunding replacement effort to get off the ground, but there’s now The Submissions Grinder which is a free replacement. Includes data visualization, for people who want to look at a given magazine’s bimodal distribution. Right now is a good time to check it out because it’s still in active development. If there are features you’d like to see, you can suggest it to the site admins.

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